AUTHOR: RJ
McDonnell
BOOK TITLE: The Classic Rockers Reunion with Death
PUBLISHER: Killeena Publishing
BUY LINK: http://www.amazon.com/Classic-Rockers-Reunion-Mystery-ebook/dp/B0090JL6NC/ref=sr_1_2?ie=UTF8&qid=1352301892&sr=8-2&keywords=the+classic+rockers+reunion+with+death
Free on Amazon today for everyone: Rock and Roll Homicide:
Free on Amazon today for everyone: Rock and Roll Homicide:
GIVEAWAY:
A free download of each of the four novels in the series
(one per entrant)
Please tell us about yourself.
I
am the son of a Pennsylvania State Police Detective, who received several
decorations for solving complex and high-profile crimes. In addition to a
traditional education, I also had the benefit of seeing every police detective
drama on television and in the movies. My father would frequently critique
these stories for believability of characters and police procedures.
I earned a Bachelor’s
Degree at Penn State University and a Masters at Marywood University. During
his college years I was a rhythm guitarist and vocalist in two bands. Shortly
thereafter, I moved to San Diego where I went to work for a professional writing
service. In addition, I wrote a monthly column for the Military
Press, and another for a San Diego publication, providing
advice to job seekers.
In the 90s, I got
into comedy writing. I wrote for a local San Diego cable television show that
had a Saturday Night Live-type format. Over its two seasons on the air, 34 of
my skits were produced. Rock & Roll Homicide
was the first novel in my Rock & Roll
Mystery Series. The second novel, Rock
& Roll Rip-Off, was selected 2010 Mystery/Thriller of the
Year by Premier Book Awards. Third novel, The
Concert Killer, features an original book trailer song that serves as a
prequel to this serial killer novel. I did my first network television
interview the week my 4th novel, The
Classic Rockers Reunion with Death, was launched.
Tell us your latest news.
I recently completed 2nd editions of Rock & Roll Homicide and Rock & Roll Rip-Off, making them
available in paperback for the first time. This cuts the cost in half for
non-ebook readers.
What inspired you to write your first book?
I got a taste for writing fiction after six years as a full
time non-fiction writer. A coworker went to work on a new cable comedy
television show with a Saturday Night Live format. He asked if I’d like to
submit a script on spec and the job snowballed. A total of 34 of my scripts were produced and aired over the
show’s two seasons, and I was hooked on fiction. But I didn’t care for the way
producers, associate producers, directors, and occasionally top actors all felt
the need to put their own spin on scripts. I transitioned over to books to
enable creative control and ensure writing about subjects that interest me.
Is there a message in your novel that you want readers to
grasp?
I approach my first edit by identifying themes that will be
memorable to my readers. I then try to pare them down to a central theme, and
make cuts and additions based on their relevance to the theme.
Are experiences based on someone you know, or events in your
own life? (Has anyone ever
realized it?)
I’m a big believer in “write what you know.” Most of my
characters are composites of several people. A recurrent comment that I see in
my reader reviews is that my characters act and talk like real people. I’m fine
with making situations and obstacles in my stories larger than life, but I need
my characters to be genuine and consistent. My protagonist is a PI who worked
at an outpatient mental health center for two years before entering his PI
apprenticeship. His full-time and part-time employees are all former patients.
Having worked in a similar setting for the same length of time, I mix and match
character traits and idiosyncrasies to develop a genuine feel.
What book are you reading now? What do you like, or not,
about it?
I’m reading The Panther by Nelson DeMille. It’s the latest
installment of one of the John Corey Series, one of my all-time favorites. It’s
quite a bit slower than the other novels in the series. In chapter 2, John and
his FRI agent wife are assigned a mission in Yemen. Their plane doesn’t
actually land in that country until Chapter 16, and not much takes place in the
interim to justify the slow pacing. On the other hand, I find John Corey to be
one of the wittiest characters in the mystery/thriller genre, and he has some
great lines in this book. If it could have been edited down from 640 pages to
400 pages it would have been great.
Are there any new authors that have grasped your interest?
I thoroughly enjoy indie novelist, Darcia Helle. Her Michael
Sykora series is a must read for thriller fans. Her stand-alones consistently
demonstrate wide ranging talent.
What are your current projects?
I just finished second editions of my first two novels and
am releasing them for the first time ever as paperbacks. The hardbound 1st
editions were well received and still available (signed and inscribed) for
collectors. But with the economy continuing to slog along, it was time for a
lower price alternative for those who don’t use an eReader. I just released a package of the four
novels in the series at a special price through the holidays.
What do you do when you’re
not writing/editing or thinking about writing/editing?
First and foremost, I love
to read. I try to achieve an even mix of indie novels and best sellers/old
favorites. I meet many interesting indie authors in the course of my everyday
life, and try to sample their work whenever possible. But I also try to learn
from the best. This frequently means reading with a notebook at my side. I like
to track techniques that favorite authors use to pique my interest, build
tension, and endear me to their characters.
Who is your favorite author and what is it that really
strikes you about their work?
My favorite author is Lawrence Sanders. His early work is
riveting. The protagonist in his Deadly Sins series reminds me of my police
detective father in many ways. When Sanders reached retirement age, he moved
from NY to FL and initiated his McNally series, which replaced frequent tension
with light humor while preserving Sanders unique voice and interesting plots.
The McNally series was so popular that another author (Vincent Lardo) picked up
where Sanders left off, after his death, and wrote six more McNally novels. It
reminded me of seeing skillful tribute bands imitate favorite musicians.
What was the hardest part of writing your book?
The hardest part is always the amount of marketing time it
takes after the book is published to get it in the hands of the many. I believe
there would be far fewer authors if they had a realistic understanding of the
amount of marketing time necessary to successfully launch a novel.
Who is your publisher and
how did you connect with them?
After owning a non-fiction
writing service for ten years prior to becoming a novelist, I founded Killeena
Publishing to publish my fiction.
How can we find you? Website,
Facebook, Twitter, blog, etc. - please share your public links.
@RJMcDonnell7
Rock & Roll Homicide (#1)
Just as the rock band, Doberman's Stub, was about to reach stadium tour
status, its leader was brutally murdered when his headphones exploded during a
recording session. The widow, who inherits $5 million, is the San Diego Police
Department's number one suspect. She hires Jason Duffy, a 27-year-old PI and
former musician, in his first year of private practice. Jason learns that the
victim was in the middle of an acrimonious renegotiation with the record
company at the time of his death. He also finds that the record company has a
very unhealthy tie to the Russian Mafia. As an inexperienced detective, Jason
does not yet have the contacts within the police department to gather vital
information. He is forced to mend fences with his estranged father, an
opinionated ex-SDPD detective. While Jason investigates the record company, he
also takes a close look at the three surviving members of the victim's band.
One is an alcoholic/drug addict drummer, on the verge of being kicked out of
the group. The second is a bass player who camouflages his rock star status by
living in an ordinary house in a lower middle-class neighborhood. Third is a
lead guitarist and writer of half of the band's songs, who lives well beyond
his means. Jason has not yet become hardened to the very real dangers of his
new profession. We experience his inner conflict as his girlfriend, staff, and
family are drawn into the danger zone. After Jason's part-time employee is
severely beaten during a stakeout, he sells the story of the Russian Mafia's
involvement in the record business to a tabloid journalism TV show in a
misguided effort to protect his employer and coworker. This serves to drive the
case to new heights of danger and suspense. Jason goes behind the industry
veneer of sex & drugs & hedonistic lifestyles. He shows us how the 21st
Century world of downloads, file sharing, and image demographics need to be
considered in a case of Rock & Roll Homicide.
Rock & Roll Rip-Off (#2)
Jason Duffy thought he had accepted a routine burglary case when a
career studio musician hired him to recover a memorabilia collection featuring
unusual treasures from some of the top performers in the music industry. But
Jason quickly finds himself at the top of a hit list that has nothing to do
with The Top 40 and everything to do with a table for one at the San Diego
Coroner's Office. While the facts of the case point to an emo band that the
victim was helping at the time of the theft, the lethal force that Jason
encounters in his investigation feels more like death metal. He finds himself
imperiled by a hitman known as The Heartbreaker, due to his signature of
shooting his victims through the heart at close range. With danger also
threatening his staff and girlfriend, Jason must continue to mend fences with
his retired police detective father, in spite of a recent riff that caused a
setback to their relationship. Everyone thought The Tactile Tattoo was a
"can't miss" band. The pre-release buzz for their first CD was
tremendous. But a bad review from a key industry critic, who didn't care for
their lyrics, left the album stillborn at record stores across the country. The
group soon learned that second chances in the current state of the music
business are practically nonexistent. One band member discovered that money
talks in an industry strapped for cash, and a bribe was entirely possible.
However, funding that bribe meant getting involved with all of the wrong
people. The reader is treated to an insider's view of the music industry that
captures the new obstacles that today's bands must overcome in order to
succeed. Rock & Roll Rip-Off is the second novel in RJ McDonnell's Rock
& Roll Mystery Series. Like the critically acclaimed Rock & Roll
Homicide, McDonnell once again mixes humor, music, and a cast of unique
characters to unfold a memorable mystery that shows Jason and a loved one
"knock, knock, knockin' on heaven's door."
The Concert Killer (#3)
A religious fanatic serial killer, who hates rock music, tries to shut
down the concert industry. A group of independent concert promoters hire
private investigator Jason Duffy and his staff of former outpatient mental
health clients to catch him. The killer believes that God rewards His favorites
with the most money, and keeps score of his victims on the back of a dollar
bill. Jason uses his background as a counselor and club musician to battle his
cleverest and most twisted adversary ever. The author of the 2010
Mystery/Thriller of the Year, Rock & Roll Rip-Off, once again adds LOL
humor in between compelling action scenes. Besides offering readers a backstage
pass to the music industry, The Concert Killer brings to light a potentially
catastrophic danger that few have ever considered.
The Classic Rockers Reunion with Death (#4)
San Diego private investigator Jason Duffy is literally taken out of
his comfort zone when he travels to Scranton, PA in January after his uncle’s
best friend is murdered. Jason knows very little about Uncle Patrick because of
a feud between his father and uncle that caused an estrangement over 40 years
ago. He learns that his uncle and the victim were members of a rock band that nearly
made it to the national scene in the late 60s, and were about to play a reunion
concert in their hometown when the murder occurred. The investigation leads
Jason back to an “almost anything goes” era that is exacting a huge price many
years later. To mix & master this musical mystery, Jason fills in for the
murdered guitarist and soon finds himself struggling to avoid filling in a
cemetery plot. Someone doesn’t want that reunion concert to happen and is
willing to do anything to cancel it forever. The case teaches Jason how easy it
is for all of us to fall victim to our assumptions.










