Monday, November 2, 2015

Mohanalakshmi Rajakumar, The Migrant Report, plus #giveaway, #free ebook




Giveaway: People have to like the author page (www.facebookcom.themohadoha), sign up for the newsletter, ‘to-be –read' on Goodreads, tweet the blog post (or all of the above). Here's the rafflecopter code:  a Rafflecopter giveaway Most entries wins digital copy of the book (multiple winners possible).

AUTHOR: Mohanalakshmi Rajakumar           
BOOK TITLE: The Migrant Report
GENRE: Crime
PUBLISHER: Modadoha


Please tell us about yourself: I’m a mother, writer, and professor of literature and love all of those roles because when I get tired of one, I can switch to another.

When and why did you begin writing? I began writing 12 years ago when in graduate school after taking a creative writing elective. I was hooked after all my classmates loved my first short story.

What was the toughest criticism given to you? I once was at a book club full of citizens in the country where I live, Qatar, and where my book was set. Many of them were surprised I had chosen to write from the perspective of a male citizen, even though I’m not from there.

What was the biggest compliment? With the same book, my first paperback, there were other citizens that felt I had portrayed their culture exactly right and were really happy there was a book out there talking about the Middle East that wasn’t full of East-West stereotypes. The two reactions taught me how much of personal experience reading really is.

Did you learn anything from writing your book, and what was it? All of my books start with a central question and the manuscript is the answer. What happens to those who are not protected by the legal system was the central one behind The Migrant Report.

What do you plan for the future? I’d like to do at least two more books in this new series. Already have burgeoning ideas for the central crimes behind numbers two and three.

How can we find you? Website, Facebook, Twitter, blog, etc.?

What gave you the idea for this particular book? We have been hearing a lot about migrant labor in the Arabian Gulf because of headlines related to world sporting events. I wanted to explore the experiences of those nameless thousands in the headlines.

Do you outline before you write?  I have learned that an outline can save so much time and effort in revision. Even with an outline, I still a considerable amount of time revising for sequence of events but a plan at the start makes it much easier to keep track of where you are going.

Did your book require a lot of research? If so, what kind? All of my books involved at least 6 months to a year of research because they feature different cultures and nationalities. For this one I had to learn a lot about Nepali people and also about crime novels as a genre.

What advice would you give a new writer starting out? Writers write. Write as much as you can, whenever you can, about whatever you can. Blog, guest post, contribute to free magazines or newspapers or e-zines: get in the habit of writing regularly so when you get that idea, the discipline is already there to make it a reality.

What do you look for in a book when you sit down to read for fun? I love when I care so much about a character I am willing to stay up at night to find out what happens to him or her. The Goldfinch by Donna Tartt was the last book to have up until 2am, reading 100 pages a day.


What was your most embarrassing moment as an author? I hate forgetting people’s names – especially if they are particularly excited to see you in person. I once went through an entire event without remembering who someone was – and she turned out to be one of editors!




The Migrant Report
Chapter Three
By Mohanalakshmi Rajakumar

Manu knelt, bowing his head to his mother’s feet for what might be the last time, the bluish-green veins on the back of her hand trembling under his lips as if the pulse of life inside her were buoyed by his. If this were a Bollywood movie, he forced himself to think of the scene in less personal terms, the music would be slow and reedy, the camera panning out to a doe-eyed girl, crying about the devoted son. He clutched the fine bones of her hand until his mother turned in her sleep, the slope of her nose pressing into the pillow, her restless limbs tossing on the woven mat on the dirt floor.
Her sari rode up to reveal her calves, the ant bites scattered like the moon’s craters across her muscles. This wasn’t a Bollywood movie. He was no hero who could strengthen his mother’s aging body. The veins around her ankles were the twisted roots of an ailing tree. His sister, Meena, wrung a stained handkerchief and dabbed the frail forehead.
The driver of the microbus beeped, this time long, the high-pitched bleat of a wounded animal.
“I’ll send something as soon as I can,” Manu said. The sight of his mother’s feverish petite frame filled his vision, dominating the small cement structure that was home to five of his siblings and their mother.
Turning so his younger siblings would not see the tears slipping out the corner of his eye, he made for the low-ceilinged entrance. The youngest ones, Raju and Ram, the unlikely fruit of his mother’s dwindling years, clutched at each of his knees and whimpered. They were six years old.
Outside, the horn sounded again, causing their cow to give a low bleating answer. Their family, like most in their village, had fresh milk, and a garden fertilized by homemade manure.  His siblings could grow up the way he had, on a plentiful vegetable garden, playing in the long grass, and doing household chores, living from their eldest sister’s wage, a replacement for their deceased father’s business.
His mother’s long illness had drained their resources. The shadow of the Maoists lingered, the tendrils of fear reaching all men of Manu’s age.
“Soon.” Meena repeated the word, her lips pressed tight. She nodded as if this were a guaranteed date. “We used Didi’s salary for the medicine.”
Meena had been a child when her older sister had gone off to work. She was still too young to manage a household, but there was no one else. She followed him to the front wheel of the microbus with his bag. He didn’t have much to take for his job as an office worker, but that was good, because more would not have fit in the passenger area.
“Say hello to Didi for us.” Meena handed off the bag and attempted a half-smile.
“I’ll tell her first thing.” He ducked into the cab’s once-cream interior. The driver hacked a cough, opening his door to spit.
“Bus station?”
“How long?” Manu asked, though he knew the answer. “How many stops?” His mother would have chided him for his incessant questions.
“Two hours,” the man grunted, picking his teeth with a splintered toothpick.
The tears flowed unchecked. Manu turned to the side, the hot breeze little comfort as the microbus bumped the unpaved road from his village to the bigger one next door. To the bus station that would take him to Kathmandu. To the airplane that would take him to his new life. A life that would allow him to revive his mother from subsisting on the meager vegetables of their garden.
He dozed off, despite their halting progress over uneven dirt roads.
“Make room,” the driver said. The microbus slowed to a stop.
A man in a button-down shirt, hair slicked with oil, eyes wide with promise, boarded the auto. Manu slid behind the driver, putting his feet on either side of the bag.
“Great day for a journey!” His companion bounced on the seat like one of the twins. Manu offered a smile that didn’t raise the corners of his lips. The auto began again. The driver coaxed the vehicle ever faster, which was more difficult to do now with the added weight.
“I am Hitesh.”
“Manu.”
Hitesh shared a continuous stream of thoughts. This was the furthest he had ever gone from his village. How, he contemplated, did airplanes manage to stay in the sky? He wondered if he could learn to cook quickly enough to avoid starving.
These preoccupations had occurred to Manu as well in the months preparing for his new job as an office worker in the Gulf state, but he had an ace card that Hitesh lacked. Manu’s eldest sister, Sanjana, had been working abroad for years. Her salary had kept the family afloat, at least until their father had been killed.
Manu could have joined the army or started a shop with the leftovers of his father’s trading connections and risked the Maoists’ wrath. These had been Manu’s choices once the Maoists had gotten hold of his businessman father trading in a village west of Butwal. As he had contemplated the options, Nepal’s civil war ripped away any sense of security.
“You know my family, they pay everything for me to have this job.” Hitesh bounced on the seat with the jolts from the potholes. May as well have been with excitement, Manu thought wryly.
“I have to borrow money to get my ticket, and to pay for finding the job, and even this bus ride.” Hitesh ticked these off on his fingers. His calculations were staggering.
“How will you pay this?” Manu asked, despite himself, drawn into the conversation.
Hitesh shrugged. “The man from the agency say they will take it from my salary, until debt is finished.”
Manu looked out the window. He hoped his relief didn’t show. Sanjana had been saving money for him for several years. Well, for him to go to university in the capital, to study, become educated, like their father would have wanted. The money had gone to pay for all these fees that Hitesh was outlining, using up most of their savings. There were worse things than not attending university, Manu thought. Like being in debt to a company you didn’t know.


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